Other recent articles:

DON’T WORRY ABOUT ME/DAVID MORRISSEY CALLS THE ACTION

The interesting question when an actor like David Morrissey turns to directing is: What kind of story will he try...

'31 NORTH '62 EAST/SPOT ON TARGET

It is terrifying, really, the bravery of the daring men and women who voluntarily stand in the front line...

CATALINA:A NEW KIND OF SUPERHERO

One might be forgiven for thinking that we have enough Surperheroes. Then along comes a very special one: an...

PUSHER/UK INDIANS BREAK OUT

Many Bollywood films are changing style to suit Western audiences. But here is an Indian film �...

BLACK FOREST GATEAU/WRINKLY ROBBERS

Finally a film that lays bare the truth about the Costa Del Crime in southern Spain. Seems it is not...

"CYN" BY ANY NAME

When Alex Ferrari made the Top 100 (out of 12,000) of Speilberg's "On the Lot" comp, they asked him to create a short film in 6 days.

Less than a week later Cyn was born. Here is the low down:

Cyn is a trimmed down version of a longer script writer/director Alex Ferrari created for his upcoming feature film project called “Red Princess Blues.” As he developed the "Princess" short film he noticed that it had less and less in common with his characters and storyline of his feature project and he decided it deserved a life of its own.

Done for no budget (under $1000) as well as no time, Cyn brought together the low budget requisite of talented and generous friends and professionals.

Friday: Write the script and prep the shoot
Saturday: Casting and prep the shoot; also begin working on opening titles & prep visual effects
Sunday: Rehearse, Fight Choreography and Production Design the location
Monday: Shoot day
Tuesday: Editing and color correction; begin scoring process, sound design & visual effects
Wednesday: finish scoring, sound design, composites of visual effects and master output.

You can check out the results on the new HD TEASER TRAILER: http://www.alittlecyn.com/trailer.html. The official site is: http://www.alittlecyn.com

(Filed on June 10, 2007

Bookmark this article with:

© Terence Doyle and Britishfilm Magazine 2007 / Web design by Explosive Media / Sitemap